ACAT1002
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Electroacoustic Composition 1 |
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A one-hour
tutorial each week in Semester 2. |
Prerequisite |
Satisfactory
completion of Physics and Psychophysics of Music. |
Aim |
To gain a
practical understanding of the basic techniques of musique concrète. |
Content |
An introduction to
amplifiers, loudspeakers, tape-recorders and cassette machines,
microphones and mixers.
Musique concrète
composition, employing such techniques as high and low impedance
recording, sound–on–sound, splicing and editing, tape
loops, multi-track recording, variable speed tape playback, tape delay
systems, basic equalisation and mixing, and noise reduction.
Notation and documentation of work undertaken, care and maintenance of
tapes and equipment, and active participation in preparing and
presenting a concert of electroacoustic music, including program
notes. |
Assessment |
Assignments-40%.
Examination performance-60%. |
Texts |
Strange,A., Electronic Music Systems,Techniques and
Controls, Brown, 1972. |
References |
Eargle, J., Sound Recording, Van Nostrand
Reinhold, 1980.
Keane, D., Tape Music Composition,
Oxford University Press, 1980.
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