| Electroacoustic music |
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| Farrera Mountains |
1996 |
for stereo electroacoustic tape and live electronic
synthesis. |
| A Doing Resounds |
1996 |
Sound poem for voice and sampler. |
| Harmonie du soir |
1995 |
for 2 channel computer-generated tape and diffusion. |
| CordsIIb |
1994 |
for 2 channel computer-generated tape. |
| CordsII |
1992 |
or 2 channel live electronics and diffusion. |
| Meditation on Ganesha |
1991 |
for live electronics. Uses custom software. |
| Butterflies Flutter By |
1987 |
for 4 channel computer-generated tape and diffusion. |
| ...with fish scales scattered ... |
1982 |
2 channel computer-generated tape. No diffusion. |
| Mixtures and Re-collections |
1981 |
for 4 channel computer-generated tape. No diffusion. |
| Iquaqua |
1975 |
Musique concrète for 2 channel tape. |
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| Mixed media |
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| The Twins |
1999 |
A mixed-media scultpure incorporating voice synthesis
and mannequins. Commissioned by the Festival of Contemporary Arts, Canberra. Solo
exhibition Gallery 4, Canberra Museum and Gallery October 5-20. Utilises custom software. |
| One Nation - a lament |
1998 |
for Percussion and multichannel sound. Utilises custom
software. First performance, ACMA conference Canberra, August. Gary France, percussionist. |
En Passant
Marcel Duchamp |
1998 |
A computer music/animation collaboration with Christine
Ulke (Berlin). |
| Resonant Silhouettes of Poincaré |
1997 |
An interactive computer sound and animation multimedia
installation (with Ramsden). Selected for inclusion in the International Society
for the Electronic Arts symposium, Chicago, USA. September. |
| Square wave |
1997 |
Music for Jennifer Seevink's computer composed video
landscape of same name. |
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| Coriolis |
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computer music and computer animation using multichannel
Ambisonic techniques (with Ramsden) |
| Why Are You So Sad? |
1993 |
Digital feedback in the geodesic dome performance space.
A live work for 16 channel electronic audio and real-time computer animation, utilising
custom software.(with others) |
| Chromachron |
1993 |
Live performance work for 16 channel electronic audio
and real-time computer animation, utilising custom software. (with Ramsden) |
| Happy New Ears |
1992 |
Three hour live-to-air broadcast on ABC FM in memory
of John Cage. From the geodesic dome performance space incorporating real-time computer
music animation and feedback using custom software.(with others) |
| Cords |
1990 |
16 channel live electronics and computer graphics for
the geodesic dome performance space. Uses custom software. (with others) |
| Life Dreaming |
1989 |
16 channel live electronics and computer graphics for
the geodesic dome performance space. Commissioned by Australian Bicentennial Authority. |
| Perspectives |
1988 |
for solo dancer, lighting designer and live electronics.
Commissioned by Chimera with Australia Council assistance. With Choreographer/dancer
Katy Bowman. |
| A Sensitive Chaos |
1986 |
5 dancers. 2x4 channel computer-generated tapes. Commissioned
by Chimera Conceptions. Australia Council Commission. 1st perf. May 1986 , Melbourne
Arts Centre, choreographer Katy Bowman. |
| Aspects of Lunacy |
1974 |
for 2 channel tape and diffusion. Suite from the incidental
music to Shakespeare's King Lear. |
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| Instrumental |
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| Air |
1988 |
for solo flute and live 'semi-intelligent' electronics.
Commissioned by Mardi McSullea with Australia Council assistance. |
| Silhouettes |
1984 |
for large recorder ensemble, 2 channel computer-generated
tape. Commissioned by the Victorian Recorder Guild. Australia Council Commission. |
| Sketch Porttait |
1983 |
Pianoforte. Homage à Eric Satie. |
| Images for Two Pianos |
1982 |
Albert H. Maggs Award commission. 1st perf. 24 October
1982, Me Melba Hall, Melbourne University, by Lillian Tan and Christopher Lyndon-Gee. |
| Glass Games |
1982 |
for flute, clarinet, violin, 'cello, percussion, 2
channel computer-generated tape. Commissioned by the Seymour Group with Australia
Council assistance. 1st perf.: 1 May 1981, Melba Hall, Melbourne University, by the
Seymour Group, cond. Stuart Challender. |
| Night |
1980 |
for chamber orchestra. 1st perf. Feb, 1980, Sydney.
ABC Training Orchestra, cond. Robert Miller. |
| Scorpion Under Glass |
1979 |
for pianoforte. 1st perf. 16 May 1982, Melba Hall,
Melbourne University, by Michael Finnessy. |
| Sonata for Pianoforte |
1979 |
Commissioned by Roger Woodward with Australia Council
assistance. |
| Chamber Variations |
1976 |
for pianoforte, flute, viola, guitar, percussion. ACME
Young Composer's Award. |
| Altinyani |
1975 |
or solo clarinet. |
| Metamorphoses |
1974 |
for 16 solo strings. |
| Mobile 1 |
1973 |
or piano strings (internal). |