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The Twins
a sound sculpture
by
David Worrall
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A pair of semi-naked sex-dolls are
playing Scrabble on their day off. Embedded in their facial orifices are small loudspeakers,
through which they communicate, both with each other and to their exhibition audience.
They talk in an almost familiar language. Delighting in a communication characterised
by qualities of flexibility, restlessness and responsiveness to the environment,
they are articulate, displaying the quick wit of repartee, the to-and-fro of gossip
and news. Very highly strung, they change moods with startling suddenness from sweet
calm to brooding thunder. Their impulse is to awaken and ripple conciousness, to
communicate. |
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plastic dolls, card
table, chairs & assorted components, macintosh computer, computer sound-system
and custom software by the artist.
photographs:
Dean Golja
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Resources needed to display
The Twins:
* a quite quiet space
* access to AC power.
* floor plynths (floor area of 3m x 2m)
* Macintosh.PPC with OS8.05 or later. |
When I look at a starry sky, I love
it in a certain way because I know it in a certain way; ... Consequently, I can handle
the concepts of things themselves without being in direct possession of them, under
the condition that I may conceive of them and feel them from within in some way....
[E]ven if I am incapable of dominating a certain phenomenon, I am capable of obtaining
a truth which is inherent to the conceived or observed phenomenon, thanks to a kind
of immediate revelation. Henceforth, I can accept and use this, in and as itself.
Iannis Xenakis.
When an artist is not concerned
with self-expression, "outside" attention (outent) becomes a means of dislocating
Self from intent, thus "setting the soul in operation"
John Cage. |
The sound component of The Twins
consists of vocal sounds composed and synthesised in real-time using a software speech
synthesiser, controlled by software written by the artist.
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When algorithms are employed as formal
compositional devices they provide mechanisms for revealing an inner nature: of sound,
of material, of process, of our perceptions, of our systems of symbols and metaphors.
By placing an emphasis on active listening rather than the sending and receiving
of messages, an artist can be freed from the bounds of mere self-expression and the
work can become revelatory.
These ideas were first explored in an Artist Talk given at the First Iterate conference,
Monash University, Melbourne, December 3-5 1999. and more fully developed in Composition
as Revelation, a paper delivered at the Australasian Computer Music Conference,
University of Technology, Brisbane in July 4-8 2000. |
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Essay by BETH JACKSON
THE TWINS:.
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A PURE PLANE OF IMMANENCE |
Photographs by
DEAN GOLJA
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Go to
High resolution
images
(password required)
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